Filming, editing and posting, handled
Three services that are really one job: getting the work you already do in front of the people who would hire you for it. Take all three, or take the filming and keep the posting in-house.
What each one covers
Aerial establishing shots, progress flights over a site, and first-person flights through a finished space.
Reels and Shorts up to 60 seconds, clear audio, cinematic grade, cut for the platform rather than a generic highlight reel.
Captions, hashtags, scheduling, posting at peak times and a monthly report on reach and profile visits.
Progress films, finished-project films and the detail shots that show the preparation nobody else sees.
Transformation films where the before and after is the entire sell.
Indoor FPV tours that walk a customer through the space before they decide to drive to it.
How a shoot runs
Four steps, and you only have to turn up for one of them.
We agree what it has to prove
A film works when it has one job. A finished project to sell the next one, a progress update for the client, or a month of social posts. We settle that first, then the shot list follows from it.
I film around the work, not across it
Ground camera, drone and FPV where each one earns its place. Your team keeps working. A typical session is a few hours and I plan the flight paths before I arrive.
You see it before anyone else does
Edited for the platform it is going on, graded, and sent over for approval. Changes are part of it, not an extra.
Published, or handed over
On the Cinematic Builder you get publish-ready files. On the Full Groundwork I write the captions, schedule the posts and send you a report at the end of the month.
What is always included
£5 million public liability
Covered for commercial work on site, in a showroom or over a property.
Flown inside CAA rules
Every flight is planned and flown within UK Civil Aviation Authority regulations.
Weather reschedules free
Sussex weather is not your problem. If a shoot is called off we move it, with no penalty.
About the work
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Most content sessions are a few hours on site. I plan the flight paths and the shot list beforehand so the time on site is spent filming rather than working out what to film.
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No. I work around the trade. Most of what I shoot is the work that was happening anyway.
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Yes, flown properly. Every flight is planned and flown within CAA rules, and I carry £5 million public liability insurance. If a site has specific restrictions, tell me early and I will plan around them.
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We move the shoot. There is no penalty for weather.
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You do, for the use we agree. I keep the right to show the work in my own portfolio, which is what this site is made of.
Got a job worth filming?
Tell me what the project is, where it is and roughly when. I will tell you what I would shoot and what it would cost, before you commit to anything.